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Roscolux Colors
Roscolux is, far and away, the most widely used range of color filters in the world.
Order by color number.
Sheets: (20" X 24") $7.45 each.
10 or more $7.20 each.
Rolls: (24" X 25') $105.00 |
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NOTE: To get the quantity
price on sheets, enter the quantity you wish to order in the "Ten or
more" box. You may order sheets "mix or match" to get the
quantity price, as long as the total number of sheets is 10 or more. |
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Roscolux #38: Light Rose
Similar uses as 37, but with greater
saturation. (Trans.= 49%). |
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Roscolux #39: Skelton Exotic Sangria
A sultry, deep purple. Good for musicals
or concert lighting. Excellent special effects color. (Trans.=
10%). |
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Roscolux #339: Broadway Pink
A deep, saturated pink created for musicals
and specials. Excellent for down and backlighting. (Trans.=
15%). |
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Roscolux #40: Light Salmon
Similar uses to 23 but a bluer color.
(Trans.= 34%). |
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Roscolux #41: Salmon
Light orange with high blue content.
(Trans.= 24%, -2.0s). |
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Roscolux #42: Deep Salmon
More red than 342. (Trans.= 8%,
-3.7s). |
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Roscolux #342: Rose Pink
Extremely intense, hot pink. Produces
strong washes of color for concert and dance. Combined with a
complimentary color like turquoise, will create a dynamic,
sculptured effect. (Trans.= 16%). |
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Roscolux #43: Deep Pink
Rich, hot pink. Electric in effect with
rich saturation. (Trans.= 28%). |
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Roscolux #343: Neon Pink
A bright, dark pink excellent for musicals
or rock and roll concert lighting. A good color for creating fake
neon effects with fluorescent tubes. (Trans.= 33%). |
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Roscolux #44: Middle Rose
Musical pink. Lush accents. Very versatile
color. (Trans.= 26%, -2.0s). |
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Roscolux #344: Follies Pink
A vibrant, almost fluorescent pink with a
cool component. Traditionally important as a special effects color
in the Broadway musical. Follow spot and dance applications as a
modeling color. (Trans.= 21%). |
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Roscolux #45: Rose
Use on scenery and background effects. Adds
tone and modeling to scenery. (Trans.= 8%). |
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Roscolux #46: Magenta
Similar uses as 45 where more saturation
is needed. (Trans.= 6%). |
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Roscolux #346: Tropical Magenta
Similar uses as 45 where more saturation
is needed. (Trans.= 6%). |
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Roscolux #47: Light Rose Purple
Good for eerie or dramatic effects.
Beautiful backlight color. (Trans.= 16%, -2.6s). |
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Roscolux #347: Belladonna Rose
Powerful magenta-purple. Good effects filter for dance. (Trans.= 6%) |
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Roscolux #48: Rose Purple
Pale evening color. Excellent for
backlight. (Trans.= 16%). |
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Roscolux #348: Purple Jazz
A dusky purple. Good for simulating purple neon or old night club atmosphere. (Trans.= 14%). |
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Roscolux #49: Medium Purple
Darkest of the magenta purple range.
(Trans.= 4%). |
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Roscolux #349: Fisher Fuchsia
A medium fuchsia good for special
effects. An interesting backlight or accent color. (Trans.=
11%). |
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Roscolux #50: Mauve
Subdued sunset effect. Useful in
backlights. To create seedy atmosphere. (Trans.= 14%). |
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Roscolux #51: Surprise Pink
Touch of color when white light is not
desirable. (Trans.= 54%, -0.9s). |
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Roscolux #351: Lavender Mist
(Trans.= 61%). |
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Roscolux #52: Light Lavender
Excellent for general area or border
light washes. It is a basic followspot color. (Trans.=
26%). |
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Roscolux #53: Pale Lavender
Use when a touch of color is needed.
(Trans.= 64%). |
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Roscolux #353: Lilly Lavender
Same intensity as 55 with more red content. (Trans.= 29%). |
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Roscolux #54: Special Lavender
Same as 53, but warmer. Useful for
beams of realistic moonlight. (Trans.= 50%). |
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Roscolux #55: Lilac (bluer)
Same as 53, but cooler. (Trans.=
37%). |
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Roscolux #355: Pale Violet
A cool lavender which acts as a neutral
in a three color area lighting system. Will work well as a wash for
drops or set pieces. Tones the space. Effective as moonlight
shadows. (Trans.= 20%). |
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Roscolux #56: Gypsy Lavender
Highly saturated, good for side and
backlighting and non-realistic effect. (Trans.= 4%). |
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Roscolux #356: Middle Lavender
A lavender halfway between 52 and 57 in
hue and value. Useful for general illumination and side-lighting. (Trans.= 27%). |
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Roscolux #57: Lavender
Excellent backlight. Gives good
visibility without destroying night illusions. (Trans.=
24%). |
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Roscolux #357: Royal Lavender
A rich lavender which will enhance blue
and red costumes and scenic pieces. Excellent for nightime scenes.
Rich, vivid accents, good in backgrounds. (Trans.= 5%). |
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Roscolux #58: Deep Lavender
Excellent back light. Enhances
dimensionality. (Trans.= 10%). |
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Roscolux #358: Rose Indigo
A warm, red purple that recalls the Jazz
Age. Useful for creating saturated color effects in live performance
situations-club and musical group lighting. (Trans.=
10%). |
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Roscolux #59: Indigo
The original Congo Blue. A purple-blue,
highly saturated, for modeling effects and non-realistic
atmospheres. (Trans.= 2%, -5.7s). |
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Roscolux #359: Medium Violet
Midnight and moonlight illusions.
Enforces mysterious mood. Useful for evening cyc wash. (Trans.= 9%) |
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Roscolux #60: No Color Blue
Helps maintain white light when dimmer is
at low intensity. (Trans.= 62%, -0.7s). |
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Roscolux #360: Clearwater
The slightest blue tint. Excellent
for eliminating amber shift when lights are running low on a dimmer.
Good for cool area light. (Trans.= 52%). |
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Roscolux #61: Mist Blue (greener)
Excellent for general area washes.
Very light cool tint of blue. (Trans.= 66%). |
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Roscolux #361: Hemsley Blue
Sharp cold blue that stays clean when dimmed. (Trans.= 18%). |
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Roscolux #62: Booster Blue
Helps maintain white light when dimmer is
at low intensity. (Trans.= 54%, -0.9s). |
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Roscolux #362: Tipton Blue
A soft clean blue. Good choice for cool
area lighting. Can also be used to shift the amber of lamps running
at low dimmer levels. (Trans.= 32%). |
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Roscolux #63: Pale Blue (greener)
Good for creating an overcast look and
feeling. (Trans.= 56%). |
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Roscolux #363: Aquamarine
A pale blue-green color. Can be used
for area lighting. A soft backlight color. (Trans.=
52%). |
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Roscolux #64: Light Steel Blue
Useful for beams of realistic moonlight.
(Trans.= 26%). |
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Roscolux #364: Blue Bell
A clean light red blue. Creates
naturalistic daylight fill color. Good cool area light. (Trans.=
32%). |
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Roscolux #65: Daylight Blue
Useful for achieving depressed moods and
dull skies. (Trans.= 35%, -1.5s). |
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Roscolux #365: Tharon Delft Blue
Clean blue with more red than 364. A true
color correction filter for film. Converts 3200°K to 5500°K. Good
for area light. (Trans.= 36%). |
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Roscolux #66: Cool Blue
A pale green shade of blue; good for area
or general washes. Creates an icy feeling on stage. (Trans.=
67%). |
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Roscolux #366: Jordan Blue
A pale green shade of blue; good for area
or general washes. Creates an icy feeling on stage. (Trans.=
67%). |
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Roscolux #67: Light Sky Blue
Excellent sky color. Useful for cyc and
border lights. (Trans.= 26%). |
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Roscolux #367: Slate Blue
Clean medium blue. Good for sky color or
moonlight. (Trans.= 20%). |
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Roscolux #68: Sky Blue
Excellent for early morning sky tones.
Popular among designers for cyc and borders. (Trans.=
14%). |
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